Marc Broussard

Website: www.marcbroussard.com

LJ26 ARE

Den vintage-inspirerede LJ26 vækker minder om Yamahas tradition for guitarer. Stemmeskruer med åben mekanik og et "sat" look vil nok virke lokkende for mange guitarister, der går op i historien, traditionen og "de gode gamle dage". Ligesom det kosmetiske er tonen i LJ26 åben og moden, men samtidig får du Yamahas eksklusive komfort og spilbarhed.

AES1500B

The classic look and tone of the AES1500 plus the famous Bigsby B-6 Tremolo for added appeal to the country and rock 'n roll performer.

Fås i andre farver

THR10

THR10 tager alt hvad du har brug for i en amp til brug udenfor scenen. Ægte rør-tone og -dynamik, fantastisk lyd ved lav volumen, ægte hi-fi stereo playback og supernem indspilning. Forbered dig på at bruge meget mere tid med din guitar!

Joshua Ray Gooch

Josh began playing when he was thirteen years old and quickly became addicted to the guitar, often times playing for six to seven hours per day.In 2009 Josh beat out over 4000 guitar players to reach the national final of Guitar Center's King Of The Blues.

Samuel G. Mpungu

Limp Bizkit, Method Man, Alvaro Soler, Sido, James Arthur,

Lee Ritenour

Starting at the age of 16, Lee played his first session with The Mama's and the Papa's. Two years later he was backing Tony Bennett and Lena Horne at L.A.'s Dorothy Chandler Pavilion. Known as "Captain Fingers," Ritenour became a sought-after session player in the mid-70's. Starting in 1976, at the age of 24, he began his own solo career which now includes over 30 albums and collaborations. Although heavily influenced in his early days by the relaxed styles of Wes Montgomery, Joe Pass and Barney Kessel, he now has his own distinctive sound and fluid style. His list of session work is awesome (some 3,000 sessions), but some of his notable performances were with Herbie Hancock, Steely Dan, Dizzy Gillespie, Sonny Rollins and Pink Floyd. Since the mid-80's Ritenour has been strongly influenced by Brazilian music.

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